- white drawing sheet 30 by 20 cm
- pencil
- ruler
- crayons
- liquid watercolour
- brush
- jar with water
- coloured paper for background
- glue
Made by a student of 11 years old
A site with school-tested lessons for the Arts.
Made by a student of 11 years old
Made by three students of grade 6
You need:
In this lesson groups of students draw a totem pole together. To make one drawing together, some appointments should be made: the width, the colours, which drawing on which place etc.
Create groups of three or four students. Each student draws a portion of the totem pole and colours it in with coloured markers. Outline each colour with a thick black marker. Each student cuts his totem pole piece. The parts should be pasted into a whole picture on coloured cardboard. Finally, outline the exterior of the totem pole with a thick black marker.You need:
Students draw a web with a yellow crayon. The easiest way is to first draw diagonal lines from the corners of the paper. Then draw more lines from top to bottom, left to right. The lines must all go through the center. After this draw circles around the center, until the sheet is full.
Paint the sheet using liquid watercolour ink in cold colours. Take two colours. Leave the work to dry.
Draw some leaves with a warm colour crayon on a white sheet. Draw the veins. Paint the leaves with warm colours liquid watercolour. Let the leaves dry.
Make a spider of black construction paper. In the example above, the spider is made of a circle with a diameter of about 4 cm. Cut the circle in to the center and stick the cutting edges on each other so the center rises. Draw a cross on the back if you want to. Cut a smaller circle for the head, draw eyes on it and paste it on the body of the spider. Cut the feet: 8 strips of 8 cm by 1/2 cm. Glue the legs on the underside of the body. Make a fold inwards on the mid of the strip, and 1 cm from the end a fold outwards.
When the work is completely dry, cut the leaves and paste them on the web. Put the spider in the web by pasting the lower parts of the legs and the head.
Paste the artwork on a black background. You may draw the spider web lines on the background too.
I found this lesson once on a German school website. The combination of cutting/pasting and painting is exciting! Students paste tight cut houses, and the reflection in the water is made with water colour paint, which is not tight at all - just as it should be!
Students cut rectangles of different heights and widths out of coloured paper. These are the bodies of the houses. Cut several triangles out of red construction paper, these are the roofs. Cut windows and doors.
Draw a line on 1 cm from the bottom of the blue sheet. Make a composition of the houses on this line, starting with the highest ones. Place the shorter houses in front of them (overlap). Paste the houses and roofs on the blue sheet. Paste windows and doors on them in different colours. When ready, paste the blue sheet with houses on a white A3 size sheet. Use watercolour paint to paint the mirror image of the houses in the water. Paint as precise as possible, but don't use a ruler: reflections in water aren't that straight! Paint the water blue.Made by students of 10-11 years old
I saw this lesson on Artsonia in several variations.
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Start this the lesson with a class discussion about witches. How can you recognize a witch? What things belong to a witch? What can you say about the clothing of a witch?
Students draw with pencil the lower half of the body of a witch: skirt and legs. Around this body they draw things that belong to witches. Draw a horizon line at about 1/3 part from the bottom. The drawing should be coloured with markers. Colour the background with markers or chalk pastel. The latter is obviously faster than colouring the background with markers.
Paste the drawing on a black background and decorate the rim with theme-related little drawings. Use a white pencil or a silver gel pen.
In the debriefing should be clear that you only need a half drawing to recognize a witch: Which witch is this?
Made by students of grade 3
Made by students of 8-9 years old
A lesson I found on Artsonia. It's a great lesson to explain the different shapes and to practice cutting and pasting skills.
You need:Choose four sheets with matching colours and fold them in four quarters. Cut the folding lines to get 16 squares of 4 by 4 cm. Put four rows of four squares neatly against each other on the black sheet. Do not place two of the same colours side by side. Glue the squares. Cut a number of organic shapes out of black paper. Create a beautiful composition on the sheet with squares and paste the black shapes. The shapes should not overlap.
Ask students a week before this lesson to take some flat dried leaves. Every student chooses one of his own leaves and outlines it several times with a pencil. Remember to draw not all the leaves in the same way on the paper, because they whirl down from the tree. Make sure some leaves go over the edge; those leaves will later be finished on the background.
Paint the leaves with watercolour paint. Use water to dillute the paint less or more. Choose real warm fall colours and try to make transitions in the colours by using wet in wet technique.
Paint the background blue. Use again the wet in wet technique, and/or choose for wet on dry. You don't have to paint exactly against the leaves, because they will be outlined with a marker.
Leave the work to dry and paste in on a coloured background. Outline the leaves with a thick black marker. Use a fine black marker for drawing the veins, while observing carefully the real leaves. Don't stop with outlining and drawing veins when you reach the background, but go on with it there.
Both artworks are made by students of 11 years old
Ask students to take autumn leaves. Watch them together, paying particular attention to the form: heart-shaped, oval, round, oblong, etc. The composition of the leaves may vary: a leave can be single or composed of several leaflets (pinnate or palmately).
Students draw several leaves on their sheet. The leaves should not overlap. Draw parts of leaves against the edges. Only the outer form of the leaves have to be drawn, so no veins. If the leaves are drawn and the sheet is largely filled, draw four diagonal lines with pencil and ruler: two lines from left to right and two lines from top to bottom. Make sure these lines pass through the leaves. Do not press too hard with the pencil, otherwise they'll come through the paint!
The drawing has to be painted with four warm colours tempera: two colours for the leaves and two for the background. Paint the leave parts within a square in one colour and the background in a different colour. In the box next paint the leaves in a third colour and the background with colour four. See diagram below.
When the artwork is dry, trace the contour lines of the leaves and the diagonal lines with a gold marker.Made by a student of 11 years old
Made by students of grade 6
You need:
Group work 'Awesome alphabet'
Take a digital photo of each student and print in black and white on A4 paper. Students draw on the back of the picture horizontal lines with 2 cm space between them. Cut the lines. Paste the strips with half a cm between the on the coloured paper.
With the name of the student and his birthday under the arwork, this is a nice birthday calendar for in the classroom.
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Draw a line at 12 cm from the bottom of the sheet. Draw some low canal house with a white crayon. Draw windows, treps and doors in them. Paint every house with a different colour of watercolour paint. The crayon will resist the paint and become visible. Paint a simplified reflection of the house under the line. Paint water and air.
Made by a student of 7 years old
You need:Draw a 5 cm grid and copy it on drawing sheets. Give every student a grid sheet. Students use crayons to write big handwriting letters in the squares. Trace the lines of the squares with crayon too using one colour. Paint the squares with liquid watercolour.
In Holland we call those letters 'lusletters', 'letters with loops' if I translate is. The first letters children learn, at the same time as they start learning to read, are called 'blokletters'. Block letters?
How do you call those letters? Blockletters? Writing letters? Who can help me?
Our Dutch calligrams; do you recognize the meaning?
You need:A calligram is a phrase or word in which the typeface, calligraphy or handwriting is arranged in a way that creates a visual image. The image created by the words expresses visually what the word or words say.
Show some calligrams on the smartboard. Discuss them with the students. How was the calligram made? What word(s) do you see? What kind if image is it? Students choose something they want to draw. With a pencil they draw the outlines of it on a sheet. Using a fine marker they write their drawing full with the words that belong to it. Erase the pencil lines when the ink has dried. There are two ways to do it: fill the drawing completely with words, or write the words only on the outlines of the drawing.
Sometimes it is better, and/or nicer, to colour your calligrams. In the example above, the food calligram, you won't probably recognize the food on the plate. With some colour (colour pencils) it is clear! The butterfly is coloured with coloured ink.
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Each student selects a words to illustrate. The design for the word must reflect what the word represents. Someone who doesn't know the meaning of the word, has to understand what it means by looking at the design of it.
Use colour pencils or markers to colour the letters of the word. Use a fine black marker to outline the letters.
Well: although you don't know the meaning of the Dutch words in the examples my students made, you'll know what they mean thanks to the design! If not, they did a bad job?
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This lesson is about lines. What kind of lines do you know? Straight, wavy, curved, bumpy, broken, spiral, zig-zag. Discuss different types of lines and let students draw examples on the blackboard.
Draw with a pencil nine different lines on the black paper with 2 cm between them. Cut the sheet carefully following the lines and place the individual pieces in cut order on the coloured paper. Draw with a pencil on the left and bottom of the colored sheet lines on 1 cm from the side. Paste the first black strip on the coloured sheet against the drawn lines. Paste the other strips with about a half cm space between them against the pencil line left.
When all stripes are pasted, cut at the top and right the excess coloured paper away leaving a frame of 1 cm.
I downloaded a sheet with tumbling blocks on Incompetech, a site full of free downloadable graph papers. Students had to choose three colours markers to colour the blocks. When finished, cut the drawing and paste it on a coloured background.
Made by Maarten, 11 years old
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Help, there are ghosts in my bedroom! Behind the wardrobe, Achter de kast, under the bed, under the rug.... Sketch your room with a pencil: bed, wardrobe, toys, window, door. Draw ghosts on several places. Trace the drawing with indian ink. Leave the ghosts white, and fill the rest of the drawing in with various textures. Look for a lesson on texture at this link: Exercise in drawing texture. Paste the drawing on a black sheet.
Made by Floor, 11 years old
You need:
Picture b.
Draw the half of a face to the red line of the first upper left section and draw the mirror image on the other side of the red line. Choose two colours markers. Colour the facial parts of one half. Colour the background or the other half, leaving the facial parts white. Draw another face in the section below and colour it as written above, but change coloured in white. See picture c.
Picture c.
Finish the drawing and draw as many facial expressions as you know. Colour everything, alternating white and colour as a checkerboard. See picture d.
Picture d.
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Give students a magnifying glass and send them out to look how things increase looking through it. How does a blade of grass look through the magnifier? Or tree bark? Leaves? Flowers? Insects?
For this lesson children draw something from nature. Part of the drawing has to be seen through a magnifying glass. This magnifying glass will actually be drawn too. That what is seen through the magnifying glass, has obviously to be much more detailed as the environment.