The emperor's new clothes

 

The Emperor's underwear, by students of grade 3

You need:

1. drawing sheet A4 size
2. colour pencils

The Emperor's New Clothes is a fairytale by Hans Christian Andersen, first published in 1837 in Andersen's Fairy Tales Told for Children.

The story is about an emperor, who cares for nothing but his appearance and attire, hires two tailors who promise him the finest suit of clothes from a fabric invisible to anyone who is unfit for his position or 'just hopelessly stupid'. The emperor cannot see the cloth himself, but pretends that he can for fear of appearing unfit for his position. When the swindlers report that the suit is finished, they mime dressing him. Then the emperor marches in procession before his people. A child in the crowd calls out that the emperor is wearing nothing at all and the cry is taken up by others. The emperor cringes, suspecting the assertion is true, but holds himself up proudly and continues the procession.

Read the fairytale. Tell students they have to draw the emperor. The emporor , who is recognizable by his crown, is almost nude. The only cloth he wears is beautiful underwear. Colour the drawing with colour pencils.  

Chicken on a stick

You need:

1. cardboard box
2. tempera paint
3. brush
4. coloured paper
5. wooden skewer
6. scissors
7. glue

Draw a chicken on cardboard. Cut it. Paint the chicken and colour the beak. Cut two wings out of cardboard and cover them with coloured paper. Paste the wings with double sided tape on the chicken to make them look 3D. Cut a comb and wattle out of coloured paper and paste them on the chicken. Use a marker to draw an eye.
Cut three pieces cardboard of 8 by 5 cm and stick them together. Paste coloured paper around it. Insert a skewer into the stand and plug the other end in the chicken.

Fairy tale comic

Hansel and Gretel

You need:

1. white drawing sheet A5 size
2. pencil
3. markers or colour pencils
4. fine black marker

The goal for this lesson is to convert a famous fairy tale into a comic. Students may draw only four pictures, so they should think very carefully about the most important scenes in the story. The story should be obvious from just those four pictures!

Divide the sheet into four sections. Draw four scenes and use speech bubbles if you want to. Colour the drawings with markers or colour pencils. Outline them with a fine black marker. You can choose to colour the drawings completely, but also a black and white strip with a single accent colour is nice.

All artworks are made by students of grade 6

Puss in boots?

You need:

1. drawing sheet A4 size
2. pencil
3. ruler
4. indian ink
5. brush
6. saucer
7. dip pen

Master Cat or The Booted Cat commonly known as Puss in Boots, is a French literary fairy tale about a cat who uses trickery and deceit to gain power, wealth, and the hand of a princess in marriage for his penniless and low-born master. The tale was published in 1697 by Charles Perrault as part of his collection Mother Goose's Tales.

How would it be if the animal you like most, wears boots? What kind of boots would he wear - rain boots, cowboy boots, thigh boots, high-heeled boots?

Draw a frame at 1 cm from the edges with a pencil. Sketch the contours of an animal in boots with pencil. Make sure the boots stand out well. Trace the pencil lines with a dip pen and indian ink. Draw details and a simple background.

The colouring has to be done with indian ink too. Put a few drops of ink on a plate and dilute it with water. More water will give a ligth grey, a little water will give dark grey. Finally, fill the page edge with a pattern or a shade of gray.

Both artworks are made by students of grade 6

Rapunzel

Made by a student of grade 1

You need:

1. drawing sheet A4 size
2. fine black marker, waterproof
3. watercolour paint
4. brushes
5. jar with water
6. wool
7. cutter
8. cutting mat
9. scissors
10. magazine
11. glue

Rapunzel is a German fairy tale in the collection assembled by the Brothers Grimm, and first published in 1812. The Grimm Brothers' story is an adaptation of the fairy tale Persinette by Charlotte-Rose de Caumont, originally published in 1698.
In the tale, an enchantress separates Rapunzel from her parents and puts her away in a room at the top of a tower in a remote part of a forest. The tower has no door or stairs and only a window. The enchantress would climb Rapunzel's long braid of golden hair to visit her. The enchatress would call out to Rapunzel saying: "Rapunzel, Rapunzel, let down your hair, so that I may climb the golden stair". One day a prince hears Rapunzel's beautiful singing voice and wants to meet her. He secretly observes how the enchantress is able to visit Rapunzel in the tower. The prince climbs in the tower, meets Rapunzel and they fall in love. The wicked enchantress attempts to separate them, but eventually they reunite, and live happily ever after.
After telling the fairy tale, students start to make Rapunzel's braid of wool threads. Then they draw a tower with a top hatch, using a waterproof fine black marker. Colour it with waterpaint colour. Cut the sides of the hatch (teacher has to do this!!) and fold them. Cut a picture of a woman of girl out of a magazine and paste it on a piece of paper. Paste the braid on the head. Paste the piece of paper behind the hatch, looking carefully to get the woman's head in the middle of it and hanging the braid through the hatch.

Made by students of grade 1

The princess and the pea

You need:

1. coloured construction paper
2. fabrics
3. a pea
4. glue
5. scissors
6. scraps of construction paper, including gold and silver
7. markers and/or colour pencils

Read the fairy tale 'The princess and the pea' of Hans Christian Andersen. Discuus after this what a princess bed would look like. The students make the bed of the princess in this story. The bed has to be made of stripes of paper. At the bottom of the bed is a real pea, of course. Cut strips of fabrics for the matrasses (use special scissors for fabrics) and make a princess on top of this whole pile. Maybe the bed has even curtains or a little golden crown?

Made by students of grade 1

Greek pottery

You need:

1. brown paper bag or wrapping paper
2. black markers (different sizes)
3. coloured paper for background
4. glue
5. scissors

In ancient Greece pottery in daily life was very important. It was used to store and preserve all kinds of food, like wine, olive oil and water. The pottery was often decorated. There is red-figure pottery with red figures and the background black, and black-figured, with this just the other way. Wikipedia has more information about Greek pottery, especially on the different styles in the decoration of the vases.
View images of Greek pottery. Discuss several forms:

amphora - jug with a handle on both sides so it could be easily lifted. Amphora's were used to store liquids and solids.



crater - mixing vessel for wine and water. The Greeks always mixed their wine with water and sometimes they added spices to change the flavour.


kylix - bowl, flat or on an ornate base with two horizontal handles to pass the scale easily.

Discuss the different designs on the vases: animals, plants, people, flowers, triangles, spirals, mythical creatures etc.
The students fold a piece of brown wrapping paper in half and draw one half of a Greek vase of their choice against the fold. Cut the vase and draw figures and patterns on it using black sharpies. Paste the vase on a coloured sheet.

Made by students of grade 5

Fairy tale caste

Made by students of grade 4

You need:

1. white drawing sheet A4 size
2. indian ink
3. dip pen
4. watercolour paint
5. brushes
6. jar with water

See some pictures of castles and talk about the several parts: battlements, high thick walls, drawbridge, towers, schietgaten, portcullis etc. Talk about the location of a castle: often a high point, so oversee the area. Show that many castles were surrounded by a moat and discuss why this was.

Students draw their castle directly with indian ink on ther sheet. Add details like shutters, torches or flags. Draw the background, the surrounding of the castle. Colour the drawing with watercolour paint. The combination of indian ink and watercolour paint will give a perfect aged feeling.

Baby and blanket, like Gustav Klimt

Made by Debbie, 11 years old

You need:

1. white drawing sheet A4 size
2. pencil
3. colour markers
4. chalk pastel

Gustav Klimt (Austria, 1862 – 1918) was born near Vienna. In 1876 Klimt was awarded a scholarship to the Vienna School of Arts and Crafts . His work consists of paintings of mostly women, but also wallpaintings, drawings and collages. Klimt is much praised for the use of gold in his paintings.

Show some artwork of Klimt, and especially the painting 'Baby'. Discuss the distinctive features in the work: different patterns in the blanket, many colours, the blanket is more important than the baby, wavy lines verschillende patronen in de deken, veel kleuren, de deken is belangrijker dan de baby, wavy lines to express the folds of the blanket.

Students draw a baby in its bed, covered by a patchwork blanket. The blanket has to be divided into sloping surfaces. All different patterns should be coloured with markers. Drawing little black stripes at the edges of the fabrics, will make the patchwork blanket look more real. Use chalk pastel for the a wallpaper behind the bed.

Rainbow fish

Made by students of grade 3

You need:

1. drawing sheet A5 size
2. ruler
3. pencil
4. colour markers

The students put the sheet in the width and draw from top to bottom pencil lines 1 cm apart. Good to practice measure skills!

Draw a fish and a sea bottom line. Colour the fish with markers keeping the same sequence of colors. We chose the order of the colours as they were in the box. Fins, background and bottom should be coloured in the same order, but of course the colours here are staggered to those of the fish.

In the style of Gaston Chaissac

You need:

1. drawing paper A3 size
2. tempera paint in primary colours
3. brushes
4. jar with water
5. paper towels
6. bold black marker
7. black construction paper
8. glue or stapler

The French painter and writer Gaston Chaissac was born in 1910. He came from a poor family and was often ill. In 1934 Chaissac moved to Paris and worked as a shoemaker. He lived in the same house as the German artist Otto Freundlich. It was through the friendship with Freundlich that Chaissac developed the desire to become an artist. He trained himself as an autodidact, supported and promoted by Freundlich. Freundlich also introduced him to the Parisian art scene.

Chaissac exhibited his works in 1938. During his stays at a sanatorium because of his tuberculosis in 1938 and 1939, Gaston Chaissac used the time to paint and draw. After his wedding he moved to the Vendée.

The artist bridged this isolation in the countryside through lively correspondence with gallery owners, authors and artists in Paris. Although Chaissac endeavored to establish a connection with the artist community, he was only valued as an artist by a small circle of gallery owners, journalists, and friends.

As a result, he didn't receive the expected recognition during his lifetime. Chaissac worked as a tireless experimenter and used materials that he found for his works of art - newspapers, shells, peels etc. He painted on every substrate available to him, created pen and ink drawings, watercolours, oil paintings, collages and unusual three-dimensional works. The artist was sometimes classified by Jean Dubuffet with the 'Art brut'. Chaissac himself called his work rather rustic modern.

Gaston Chaissac died in 1964.

Without title, © Gaston Chaissac

View photos of the work of Chaissac and especially the work above. Discuss the salient features: bold black lines that separate colour planes, little depth, simply drawn faces, white planes. What would those white planes mean?

I chose this painter also to repeat colour mixing skills. The students draw on their sheet one head and one or more limbs. Put a pencil mark in these planes, because they have to stay white. Then divide the sheet with wavy lines into small areas. Students choose two primary colours and use them to mix several colours. Paint the different planes with these mixed colours. Start with the brightest colour and and add more and more of the darker colour.

When the work is dry, outline every colour with a black marker. Bumps will disappear. Finally draw eyes, nose and mouth in the face. Paste or staple the work on black paper.

In the style of Gaston Chaissac, by students of grade 3

Paper mache figure on a bottle

You need:

1. wine bottle
2. newspapers torn in strips
3. paper tape
4. wallpaper paste
5. tempera paint
6. brushes
7. varnish
8. fabrics
9. wool, cotton, feathers etc.

Students make a ball of newspaper and tape it on the bottle with paper tape. Tear newspapers in strips and paste them with wallpaper paste on the ball far over the bottle so that the tape is not visible anymore. Be sure to use a lot of wallpaper paste. If the ball on the bottle is smooth, students make eyes, nose, ears and paste them on the head. Fix them with paper strips and paste. Let dry for at least 24 hours.

After drying the figures can be painted. Start with the brightest colour. Paint several times to be sure the ink of the newspaper is not visible anymore. Varnish the dolls to make them shine.

After drying the doll has to be dressed and beautified. Use fabrics, wool, cotton, feathers, beads, lace etc. Paste them on the bottle and head with strong glue.

All artworks are made by students of grade 3

Thanks to Ruth Megens

Making masks

You need:

1. white cardboard
2. rectangular aluminum containers
3. paint
4. brushes
5. scissors
6. glue
7. cutting knife
8. oil pastels

We look at masks from Venice, masks from Africa and the culture of the Incas, Mayans and Aztecs through photos on the internet. We discuss the form of the masks and look for the differences between the African, Venetian and those of the Incas. We look at the position of the eyes, nose and mouth.

Let students choose the style and material they want to use. The aluminium containers are meant for students who want to make an Inca mask, since Incas often used silver or gold. Draw with pencil the shape of the mask and cut it out. Mark the spot where the eyes should be (at half or slightly above or below the half) and cut them out. Draw a nose and cut it partly in order to create some relief. Colour the mask with oil pastels. For an Inca mask: cut the aluminum container, cut the eyes, cut a nose and paste it on, cut a mouth. Paint the mask with tempera, making sure there will be some shiny material to be seen.

Look at each others masks at the end of this lesson and discuss what style or influence you recognize.

Artworks made by students of grade 3

Thanks to Ann de Naegel (Belgium) and her students

Longing for spring: printing flowers!

You need:

1. piece of linoleum of 12 by 12 cm
2. several sorts of paper
3. lino knives
4. block printing ink
5. flat piece of glass
6. linoleum roller
7. lino press
8. coloured cardboard 34 by 12 cm
9. scissors
10. glue or stapler

Students draw one or more flowers on their piece of linoleum and cut it out. Then the flower has to be printed on three different sorts of paper. In this lesson I choose for coloured construction paper, a brown paper bag and white white woven towels from the dispenser. Cut the prints with 1 cm around. Paste or staple them on coloured cardboard. Spring can come!

Both artworks are made by students of grade 4

Winter trees glimpse

Made by a student of grade 6

You need:

1. cardboard in three colours, 15 by 20 cm
2. ruler
3. pencil
4. cutter
5. cutting mat
6. double sided foamtape
7. hook

Draw a rectangle on each sheet of cardboard 2 cm from the edges. Draw wintertrees in these rectangles. The trunk must be on the bottom, the branches must reach the left, right or upper edge. Make sure the three trunks slightly stagger. Cut the parts between the branches/trunk and the frame using a cutter. Use double sided foam tape to paste the three windows together. The lightest colour in the front, the darkest colour on the back.

Attach a hook to the window to hang it.

Wild flowers

You need:

1. black construction paper 20 by 8 cm
2. colour pencils
3. tempera paint
4. q-tips
5. saucer

A short lesson with great results! Draw a lot of flower stems on the black paper with several colours green. Stamp the petals above and between the stems, using tempera and q-tips.

Patterned landscape

You need:

1. white drawing sheet A5 size
2. black fine marker or Indian ink
3. coloured paper for background

Children sketch a simple mountain landscape with grey pencil. Use different patterns to colour the mountains: spheres, lines, triangles, squares, leaves - as different as possible. Patterns can by filled negatively of positively: fill a moutain with circles and colour the space between them with black, so the white circles will remain. Paste the drawing on a coloured background.

Made by students of grade 3

Connected hearts

You need:

1. white drawing sheet A5 size
2. piece of cardboard
3. scissors
4. oil pastels
5. colour pencils
6. watercolour paint
7. jar with water
8. brush
9. coloured paper
10. glue
11. metallic gel pen or marker

Draw a heart on a piece of cardboard and cut it out. Trace the heart several times on the drawing sheet. Hearts should overlap. Trace the heart also on the edged of the sheet. Draw smaller hearts within the traced ones; be sure there is about half cm space between the two lines. Draw and erase the the pencil lines of the overlapping hearts as if they weave together: below - above - below - above. Colour the hearts between the double lines with oil pastels. Paint the sheet with diluted watercolour paint and leave the work to dry. Trace the oil pastel harts on both sides with coloured pencils. Paste the artwork on a coloured sheet and finish the hearts on the frame, using a silver metallic gel pen or marker.

Patterned hearts like Jim Dine

You need:

1. drawing sheet A5 size
2. crayons
3. liquid water colour
4. brush

Fold the sheet of paper into quarters. Cut a heart out of a piece in the hearts: Trace this heart four times with a pencil. Draw patterns in the hearts with crayons: stripes, circles, zigzag lines etc. Draw different patterns around the hearts.

Paint the whole sheet with liquid watercolour. The crayon will resist the ink.

Concentric circles Like Kandinsky

You need:

1. drawing sheet A3 size with 12 squares of 10 by 10 cm
2. temperea paint
3. brushes
4. paper towels
5. jar with water

Wassily Kandinsky (1866 – 1944) was a Russian-French painter. His style of painting originally belonged to expressionism, and is sometimes included in symbolism. Kandinsky was one of the artists who gave shape to the abstract art in the early twentieth century.

Kandinsky was inspired by music. According to his own timbre theory, each colour has its own language and expression, and each colour has a soul. Kandinsky tried to convert musical compositions into paintings. He heard colours in music and he saw music in colours. This correlation between music and colour is the starting point of this lesson. Show students images of by Kandinsky. Tell that he listened to music while painting. Look at the painting 'Squares with concentric circles'. Which circle would belong to cheerful music? And what kind of music did Kandinsky hear while painting the dark circle?

Students are going to make a painting in the style of Kandinsky while listening to classical music. During this lesson they listened to Vivaldi's Four Seasons. Each student gets a white sheet with 12 squares of 10 by 1o cm. Tell them to work from the outside to the middle. We may see no white anymore. Try to avoid two the same colours in one circle. Hang all paintings together on a bulletin board for a great group project!

Made by students of grade 1

Clowning around

You need:

1. coloured construction paper 32 by 23 cm
2. white drawing paper A5 size
3. oil pastels
4. scissors
5. glue
6. tempera paint

Look at pictures of clowns on the digiboard and talk about how they recognize a clown.

Give each student a coloured construction paper and a white sheet of A5 size. Let them cut the corners of the white sheet, and let them paste this clown's face on the coloured sheet. Draw a clown using oil pastels: eyes, nose, mouth, hair, hat, bow etc. Colour the different parts with oil pastels. Outline everything with black.

Use toilet rolls and tempera paint to stamp coloured circles around the clown. Hang them all together on the bulletin board: ready for carnival!

Artworks made by students of grade 2

The man with the apple - like René Magritte (2)

Made by Tyra, grade 6

You need:

1. white drawing sheet A4 size
2. aquarelle pencils
3. jar with water
4. brush
5. fine black marker

Rene Magritte is born in 1898 in Belgium. When Magritte is 13 years old, his mother commits suicide. She jumps in the river Samber and is found with her dress covering her face. This image has been suggested as the source of several paintings from Magritte: people hiding their faces with several objects.
In 1924 Magritte became friends with members of a surrealism group in Brussels: André Breton, Joan Miró and Salvador Dalí. These artists influence Magritte's work. In the end Magritte became famous with surrealistic paintings.
Magritte gave his paintings a realistic effect of surrealism. He painted simple objects, like a shoe, an apple, a pipe or a tree. Magritte took these things out of their ordinary environment and placed them in a special surrounding.
One of Magritte's most famous works is "La Trahison des Images" (The Treachery of Images). This is a very realistic painting from a pipe, with the text: Ceci n'est pas une pipe (This is not a pipe). The painting is not a pipe, but rather an image of a pipe. As Magritte himself commented: "The famous pipe. How people reproached me for it! And yet, could you stuff my pipe? No, it's just a representation, is it not? So if I had written on my picture 'This is a pipe,' I'd have been lying!" By putting us constantly on the wrong track, Magritte forces us to think about art. Magritte thought it the task of an artist to place reality in a different context.
Links: Magritte museum, Brussel See also the other lesson In the style of René Magritte (1) on this blog.

Made by Debbie, grade 6

Students draw a part of a man or woman, from about chest height. Like Magritte, we see no face. And, like Magritte, the person has something on his head. In stead of the face, students draw an object of their choice. The drawing, person and background, has to be coloured with aquarelle pencils. Use water and a brush to create the effect of aquarel paint. Wait until the artwork is dry and outline everything with a fine marker.

Foreshortening fun

You need:

1. white drawing sheet A4 size
2. colour pencils
3. coloured paper for background

Sneakers have beautiful soles; sometimes the soles better than the shoes themselves! This art lesson is about foreshortening, soles and the inside of hands. Foreshortening occurs when an object appears compressed when seen from a particular viewpoint, and the effect of perspective causes distortion. Foreshortening is a particularly effective artistic device, used to give the impression of three-dimensional volume and create drama in a picture.

Tell students a story about a scary monster. "Imagine a terrible scary monster approaching you. The monster is much bigger than you and is running fast. You are scared and your try to run backwards. This does not work and you fall. The monster leans over you and you try to ward off with your hands .... "

Students draw the bottoms of the shoes on about the half of the drawing sheet. Then they draw their hands, overlapping the tops of the shoes. They drew their head in between the hands, and add their body. The arms need to be drawn directly to the hands, and the legs have to be drawn to the bottoms of the shoes. Students draw details on the shoe bottoms, and lines on their hands.

Use colour pencils to colour the drawing. When finished, paste it on a coloured background.

All artworks are made by students of grade 5