Explosion in the bottle factory

Before
This lesson is designed to help explain the idea of abstract art. 

Paintings of trees by the Dutch painter Piet Mondriaan show the development of realistic painting to abstract painting clearly. The red tree (1908) is a realistic painting, Mondriaan painted what he saw.

The grey tree (1911) is more abstract, but the shape of the tree can still be seen.

The apple tree (1912) doesn't look like a tree anymore, unless you see this one together with the former paintings.

What do you need?

• black construction paper
• scissors and glue
• colored paper
• ruler and pencil

What should you do?

1. Draw a straight line halfway the black sheet. 
2. Cut three or four double bottles out of colored paper. 
3. Paste the bottles on upper half of the black sheet. 
4. Cut the remaining bottles into pieces and paste them on the bottom of the sheet.

Artworks made by students of grade 3. 

The longest line

You need:

1. white drawing sheet 15 by 15 cm
2. black fineliner
3. markers

I found this lesson on Artsonia. Start in a corner and draw ONE line, the longest line: curved, straight, zigzag, with angles etc. The line has to fill the whole sheet and you may not pick up your marker from the sheet! The line may not hit or cross itself. And, the most important: the line has to end at the point it started. So be sure you're back in the beginning in time!

When ready, draw with a pencil three or four geometric shapes on your sheet. Choose three colours marker per shape and colour them. Outline your shapes with the black fineliner.

Greetings from ... Holland!

And this is Holland too ....

You need:

1. white drawing sheet from 20 by 10 cm
2. markers
3. fineliner
4. ruler
5. pencil

Draw a horizon line about 2 cm from the upper edge. Put a dot in the middle of this line, the vanishing point. Draw lines from the bottom and sides towards that vanishing point. Make six lanes or more - this is the highway. Colour the highway with gray marker, leaving out the white stripes. Colour agriculturul fields besides the highway. Colour the sky. Draw a cityscape with high buildings and houses on the horizon and colour them with black and grey markers. Together with the lesson about the bulb fields, we have a nice postcard! Greetings from Holland!

Find it!

Waterpaint with finepointed marker

You need:

1. white drawing paper A4 size
2. watercolour paint or tempera
3. marker or fineliner

Paint organic shapes on you sheet with different colours. Make sure the whole sheet is full. After drying, take a black fineliner or marker and search for faces, animals or objects in your shapes. Outline them and add details to recognize your object or face!

Tempera with marker

Leaves pattern

You need:

1. white drawing sheet 21 by 25 cm
2. markers

Draw lines around your sheet a half centimeter from the edges. Divide the remaining square in 16 compartments from 5 cm by 6 cm. Draw a leave on construction paper and cut it out. Trace the leave in the 16 rectangles. Draw patterns in the leaves: take a pair for each pattern. Colour them alternately with two colours. Outline all leaves with a black fineliner. Draw a square in two colours around your work.

In the style of René Magritte

Rene Magritte is born in 1898 in Belgium. When Magritte is13 his mother commits suicide. She jumps in the river Samber and is found with her dress covering her face. This image has been suggested as the source of several of Magritte's paintings: people hiding their faces with several objects.
In 1924 Magritte became friends with members of a surrealism group in Brussels: André Breton, Joan Miró and Salvador Dalí. They influence Magritte's work.
Magritte gave his paintings a realistic effect of surrealism. He painted simple objects like a pipe, apple or tree, took them out of their ordinary environment and placed them in a special surrounding.
One of Magritte's most famous works is a very realistic painting from a pipe, with the text: Ceci n'est pas une pipe (This is not a pipe). The painting is not a pipe, but rather an image of a pipe. As Magritte himself commented: "The famous pipe. How people reproached me for it! And yet, could you stuff my pipe? No, it's just a representation, is it not? So if I had written on my picture This is a pipe, I'd have been lying!"
Magritte forces us to think about art by putting us constantly on the wrong track. 

What do you need? 

1. drawing sheet A3 
2. brushes and jar
3. tempera paint
4. (black marker)

Instruction
Show Magritte's work and talk about surrealism. Ask students what they see in those paintings. Talk about realism and show realistic paintings. What are the differences between these two styles? How do you recognize surrealistic art? Show the painting The son of man and tell about the covered faces we'll see in a lot of Magritte's paintings.

What should you do? 

1. Sketch a portrait, just like Magritte did. It doesn't have to be someone special, just a person. 
2. Draw an object to cover the face. It has to be about as large as a face, so a piano or a coin can't be used! 
3. Paint the drawing and background. 
4. Outline the object with a fineliner if you want to let is stand out.

Artworks made by students of grade 6. 

Happy Halloween

You need:

1. orange construction paper
2. black construction paper
3. black fineliner
4. black marker
5. correction fluid
6. scissors and glue

Children are drawing a Halloween party at night. They work with black marker on orange paper. Brainstorm what things make you think of Halloween: spiders, skeletons, witchas, bats, black cats, dark, cemetary, pumpkins etc. Vandaag worden alleen contouren getekend. Wat zijn contouren en hoe teken je die? Every child gets an orange construction paper. Draw the width of a ruler on the top and bottom of the sheet. Draw a halloween party, using markers in various sizes. Use correction fluid to make eyes. Glue a strip of black construction paper on top and bottom of your drawing.

Puzzle trees

You need:

1. black paper A4 size
2. black paper 23 by 32 cm
3. oilpastel crayons
4. scissors and glue

Students draw with a pencil on a black A4 sheet a simple mountain landscape under the moon. Colour it with oilpastel crayons and outline the mountains and moon with black crayon. Show the students that the colour of the air around the moon is lighter. Use white and yellow to brighten up blue colours, or black to darken them. Make sure your colours in the air will blend.

When colouring is finished, turn around the sheet. Draw a tree on the back, with five branches: one tho the right, one to the right edge of the paper, one to the middle above, one to the left edge of the sheet and one to the left. Branches have to be small at the end and wide near to the trunk. You've got six puzzlepieces now. Cut them out and place them on the larger black sheet. Use the cut tree to check if your pieces lie well. Pate all parts on the black sheet, exept the tree of course. Maybe you can do something fun with it?

Spider web

You need:

1. white drawing paper from 20 by 20 cm
2. oil pastel crayons
3. black paint
4. brushes
5. toothpicks
6. coloured construction paper

In fall you will find beautiful spider webs in the garden and around the school. Especially when the morning dew is glistening on the wires in the sun, a web seems a work of art. In this lesson the students scretch a spider web with a spider, after they first have looked carefully at those webs. How is the web built? How many basic threads do you see? What does a spider look like? How many legs has he? How do they look? Colour a drawing sheet with oilpastels. Choose autumn colours, like orange, yellow and brown. Paint the entire sheet black and let it dry.

Scratch a spider web with a toothpick. Of course you may add the spider! Paste the artwork on a coloured background.

Haunted houses

You need:

1. white drawing paper A4 size
2. tissue paper in two colours
3. brush and water
4. black markers
5. white chalk pastel
6. hairspray
7. black construction paper for background

Haunted houses…. there are many exciting stories in the internet to start this lesson! Discuss the characteristics of a haunted house: partly collapsed, on a quiet place, spider webs, torture tools, graves, bats, black cats, ghosts etc. The background is made with tissuepaper. Kids have to wet their white drawing sheet with a brush and water. Strips of torn tissue paper are put on this - the torn edges must be on the paper, not the straight ones. Make sure the tissue papers overlap a little, so no white paper is to be seen. When ready, wet the whole sheet again. Take a look under one of the tissue strips to see if the bleeding is ready. If so, take of the strips. Then wait till the sheet is completely dry. With a pencil, kids sketch a haunted house on their coloured sheet. They have to thing about the fact that everything has to be coloured in black, so they have to draw just contours. When sketching is ready, the drawing has to be traced with a black fineliner. Then everything has to be coloured with a black marker. Ghosts are drawn in and around the house using white chalk pastel. Fix the ghosts with hairspray and glue the artwork on a black background.

Made by students of 10-11 years old

Take a walk with a line

You need:

1. white drawing sheet A4 size
2. markers
3. fineliner

Start with a thick black marker and draw an interesting line horizontally across the paper. Repeat your line with rainbow colors to show emphasis and repetition. Fill your paper up with interesting line patterns in the background. Use a black fineliner. When ready it seems the coloured line looks like jumping off the page. This could also be a nice group project. Children have to discuss with eachother about the places their lines will come together and continuing the patterns.

Polka dots from Staphorst, Holland

Table cloth, group work

Staphorst is a a town in the eastern Netherlands. The town is famous for about 600 women who are still wearing traditional dress. Until now, utensils and cloths are designed with characteristic 'Staphorster Stipwerk', translated: Staphorst polka dots. Staphorster stipwerk is made by nails stuck in corks and then tipped in paint. The stipwerk is mostly done on a dark surface.

Benodigdheden:

1. black fabric
2. textile paint
3. nails in different sizes

Show some examples of Staphorster Stipwerk (Google image searcher). Discuss what you see: colour use, size of the dots, motives, patterns etc. Let children practice first in making patterns. Use a scratch paper and colour pencils for this. If they understand the principle of making flowers out of polka dots, they can start stamping with the nails. This lesson can be done individually, but making a group table cloth is maybe much more fun! And: in stead of stamping on cotton, it is also possible to stamp on wooden utensils, like a small chipboard box or a wooden plate. Before stamping, the box has to be painted black of course. And, don't use textile paint but use tempera. Lacquer with vernish for shiny result.

Part of the table cloth

Ghosts in the air

You need:

1. black construction paper A4 size
2. leftover cardboard
3. scissors
4. white chalk pastel
5. hairspray
6. white pencil

Kids have to cut ghosts and trace the outlines of them with chalk pastels. The ghosts are haunting around a fence. The fence has to be cut from leftovers cardboard. It doesn't need to be as straight as a line, because it's an old fence, so it is crooked and broken. Then three ghosts have to be cut. The instruction is: one ghost is flying above, one behind and one before the fence. Children lay the fence and ghosts on the black paper.Then they scratch with white chalk around the cutout parts and wipe it out. Finally they have to cut a moon and do the same. Draw eyes and a mouht with a white pencil. Fix the work with hairspray.

Pumpkins in moonlight

You need:

1. black constructionpaper A4 format
2. pastel crayons
3. pumpkins or pictures of pumpkins
4. hairspray
5. papertowels
6. construction paper for background

Look with the kids to some brought pumpkins or pictures of them. Discuss shape, texture, size, colours, stem and leaves. Children have to draw at least two pumpkins, and one of them has to overlap another. Kids have to use pastel crayons on black construction paper. Tell them working with pastels will give a lot of smudge: be careful with smudgy fingers. Wipe them on a towell, and not on your artwork! Tell kids also to mix different colours. This will deepen the colours. Using brightr colours on dark ones will suggest the moonlight!

When the artworks are finished, you have to fix it with hairspray. Glue the work on a green or orange construction paper.

Made by students of 11-12 years old

Beautiful anemones

You need:

1. white drawing sheet A4 size
2. tissue paper in different colours
3. brush
4. can with water

With tissue paper you can make beautiful flowers without painting! In this lesson I chose anemones, but any flower will work. To make an anemone, fold a tissue paper three times until you have a rectangle. This rectangle has six lows now. Cut two petals out of this rectangle; this makes twelve petals totally. Six petals make one anemone. Cut petals from different colours tissue paper. Cut small and bigger ones. Take the white sheet and wet the place for the first flower with a brush. Put the petals one by one around an imaginary white circle (this is for the heart of the flower) on the wet spot. The petals will tighten themselves on the wet drawing sheet. Stich all petals this way. Overlap is allowed, working on the edge too. Cut little circles (flowerhearts) out of black tissue paper and stick them with water. The tissue paper has started 'bleeding' yet. The brighter the colour of tissue paper, the better it bleeds. Light colors bleed less. The colours of the tissue paper will blend together. If all is well, you'll see rays from the black heart into the petals. If not, wet the flowers again with a brush and water. Be careful, petals might shuffle. Let the artwork dry a little. When it's still moist a bit, pull of all petals. Your beautiful anemones are ready!

Anemones with tissue paper

Print, without tissue paper

Landscape of tissue paper

You need:

1. tissue paper in several colours
2. wallpaper glue, made with extra water
3. glue brushes
4. white drawing paper A4 size

Look with the students at pictures of different landscapes: mountains, volcanic landscape, coastal landscape, river landscape, hills, flat landscape. Discuss the differences between those landscapes.

Students are going to make a landscape out of tissue paper. They may just tear the sheets, so no scissors! The landscapes have to be constructed from behind, so the front sheets have to be glued at last. While doing it this way, colours can be glued overlapping, which gives more tints. Explain the students to use white tissue paper to make colours lighter. The glaciers on the mountains in the example are created by not glueing the white tissue paper entirely. Dry parts will stay white, wet parts take over the colour that's underneath.

A spider and his web

In fall you will find beautiful spider webs in the garden and around the school. Especially when the morning dew is glistening on the wires in the sun, a web seems a work of art. In this lesson the students draw a spider web with a spider, after they first have looked carefully at those webs. How is the web built? How many basic threads do you see? What does a spider look like? How many legs has he? How do they look?

You need:

1. white drawing sheet A4 size cut lengthwise
2. crayons
3. water paint
4. brushes
5. jar with water
6. black finepointed marker or white pencil
7. coloured paper

Draw at the top of a half sheet a web with a white crayon (be sure the point is sharp). One of the base threads have to be drawin in the middle, because the spider will hang out there. Draw a spider with black crayon and connect him with the web by drawing the middle white base thread down. Paint the whole sheet with water paint in a colour you like. Use lots of water. Crayonlines will resist the paint. Let the work and see the dewdrops on the web! Glue the work on a coloured background. Draw the web further on the background, with black fineliner or white pencil.

Cats like Rosina Wachtmeister

Rosina Wachtmeister (1939, Austria)

Wachtmeister (1939) is an Austrian artist who is specialised in making collages with various. She uses often gold or silver metal paper in her work. The early work of Rosina Wachtmeister are sculptured puppets. She used these puppets in her own puppet theatre.

In 1974 Rosina Wachtmeister moved with her husband to Capena, near Rome. She gets inspired from daily things: the silence of Capena, the sun, her cats and music.

We look at some paintings from Wachtmeister and we name the distinctive characteristics:

1. she uses silver in every paiting
2. faces are divided into colour patches
3. she uses often warm colours
4. backgrounds are decorated cheerfully
5. figures are outlined with black or coloured lines
6. eyes are very expressive because of those (black or coloured) lines

You need:

1. white drawing paper A3 size
2. tempera in different colours, including silver
3. brushes
4. newspapers
5. jars with water
6. tissues to clean and dry the brushes

Students draw with pencil a quick sketch from one or more cats on their sheets and start painting right away, considering the characteristics of the style of Wachtmeister: silver paint, big eyes, warm colours, divided faces etc. Outlining the figures has to be done also with tempera and a thin brush. This has to be the last chore, of course. So you get a good separation between the foreground and background and you can remove some stains. If the paintings are dry, we stick them on a matching background sheet. And of course we sign our work, just like Wachtmeister, with a black signature!

Hot air balloons

You need:

1. white drawing paper A4 size
2. markers
3. fineliner
4. watercolour paint
5. brushes
6. coloured paper for background
7. scissors and glue
8. yarn

Look at several photo's of hot air balloons and discuss what they look like: use of colour, shape, size, advertisements. Look at the baskets and discover that, when we look up in the air we' ll see the bottom of the baskets. We also note that hot air balloons look smaller when they're further away.
Students paint their white sheet light blue with watercolour paint, using lots of water. When the sheets are drying, balloons have to be drawn and coloured on another sheet: a big one, a midsize and one or two small ones. After this students have to draw some baskets, with silhouettes of people (use a black fineliner!). Cut the balloons and the baskets.
Paste the painted blue sheet on a background paper. Make a composition of the balloons with one or two overlaps. Use the frame too. Paste balloons and baskets, but do not paste the people. Just bow them a bit, as if they're looking over the edge of the baskets. Glue small pieces of yarn between balloons and baskets. Eventually clouds can be made out of cottonwool.
This is also a nice assignment for the whole class or a group of children.

Delfts blue plates

You need:

1. white paper plates without plastic coating
2. feltpens, fineliners of markers in different colours blue
3. examples from Delfts blue decoration

Delftware, or Delft pottery, denotes blue and white pottery made in and around the city of Delft (Netherlands) from the sixteenth to the eighteenth centuries. Delftware became popular and was widely exported in Europe and even reached China and Japan. Chinese and Japanese potters made porcelain versions of Delftware for export to Europe. Delftware ranged from simple household items - with little or no decoration - to fancy artwork. Most of the Delft factories made sets of jars, the kast-stel set. Pictorial plates were made in abundance, illustrated with religious motifs, native Dutch scenes with windmilles and fishing boats, hunting scenes, landscapes and seascapes.

Nowadays there is still one factory in Delft that produces real Delftware: De Porceleyne Fles. All plates, vases, bowls, teacups, tiles etc. are painted by hand here. You'll find a lot of photograps on the website of Porceleyne Fles (online shop). See some of these photographs with the students and discuss what decorations they see. Discuss the different colours of blue and look how you can make a good illustration by just using blue. Show the students some plates with different edges and make them tell about the recurring motifs

What to do? Students will design their own Delfts blue plate with a regular pattern around the plate and a free drawing in the middle. They have to use markers, feltpens and fineliners in different shades of blue. First practice a bit on the back side of the plate to see how the ink will flow. The edge of the plate has notches. Count them to know how many notches your pattern must have.