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- drawing sheet
- tempera paint in primary colors, black and white
- ruler
- pencil
- brushes
- Schulten's use of colors
- horizon line
- the 'curtains' on the sides - the picture is darker there than in the middle
- simple shapes
- divided in rectangles
A site with school-tested lessons for the Arts.
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Made by students of grade 6
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2 pieces of linoleum, 2 colours, 8 prints
Finally use one or more of those prints to make a two colour print. This has to be done by inking piece 1 red and printing it on a blue print of piece 2. See picture below. Let students choose their best prints and let them decide how many prints they want to use for their final artwork. Cut the prints with 1 cm white aound them. Make a composition on blue or red cardboard and paste the prints with 1 cm between them.Final composition I love Holland, by Malou, grade 6
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Draw a line at 12 cm from the bottom of the sheet. Draw some low canal house with a white crayon. Draw windows, treps and doors in them. Paint every house with a different colour of watercolour paint. The crayon will resist the paint and become visible. Paint a simplified reflection of the house under the line. Paint water and air.
born in Belgium and died in France. He is buried on the same cemetery as Vincent van Gogh, a painter he highly admired . Made by Malou, 11 years old
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Liquorice allsorts consist of a variety of liquorice candies sold as a mixture. These confections are made of liquorice, sugar, coconut, aniseed jelly, fruit flavourings, and gelatine. They were first produced in Sheffield, England. Allsorts are produced by many companies around the world today, and are most popular in Britain, continental Europe, and North America. The Dutch name for liquorice allsorts is "Engelse drop", and in Finland they are called "Englannin lakritsi/laku"; both literally translate as "English liquorice."
Make groups of two children. Buy some bags of liquorice allsorts (I used one bag for six students). Divide the liquorice so so that each group can make a different composition of them.
Give the children a sheet of grey construction paper. I chose grey, because the oil pastels alle kinderen een grijs tekenvel. Grey, because the oil pastel colours will be slightly less bright, and the white of the liquorice allsorts will be clearly visible. Ask children to make a composition of the liquorice; they may be stacked also.
On the gray sheet students draw the liquorice extra large. The liquorice must really be blown up! Don't use pencils, draw directly with the oil pastel. The whole sheet have to be filled with liquorice allsorts, with parts of them on the edges of the sheet. Colour everything and look carefully to the light: which part of the liquorice has to be dark, and which part has to be coloured lighter? Vary in dark and light colours by pressing harder or softer.
And of course you may eat the liquorice after finishing your artwork!
Made by students of 10-11 years old
Delftware, or Delft pottery, denotes blue and white pottery made in and around the city of Delft (Netherlands) from the sixteenth to the eighteenth centuries. Delftware became popular and was widely exported in Europe and even reached China and Japan. Chinese and Japanese potters made porcelain versions of Delftware for export to Europe. Delftware ranged from simple household items - with little or no decoration - to fancy artwork. Most of the Delft factories made sets of jars, the kast-stel set. Pictorial plates were made in abundance, illustrated with religious motifs, native Dutch scenes with windmilles and fishing boats, hunting scenes, landscapes and seascapes.
Nowadays there is still one factory in Delft that produces real Delftware: De Porceleyne Fles. All plates, vases, bowls, teacups, tiles etc. are painted by hand here. You'll find a lot of photograps on the website of Porceleyne Fles (online shop). See some of these photographs with the students and discuss what decorations they see. Discuss the different colours of blue and look how you can make a good illustration by just using blue. Show the students some plates with different edges and make them tell about the recurring motifs
What to do? Students will design their own Delfts blue plate with a regular pattern around the plate and a free drawing in the middle. They have to use markers, feltpens and fineliners in different shades of blue. First practice a bit on the back side of the plate to see how the ink will flow. The edge of the plate has notches. Count them to know how many notches your pattern must have.
Made by Anne, 10 years old
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