Talk about veggies and why we all have to eat them. Show several veggies.
Use crayons to draw several veggies on your sheet. No overlapping. Just draw the outlines, don't colour them with crayons.
Colour with liquid watercolour paint. Use two colours to make the paint bleed.
Paint the background dark grey with dilluted indian ink.
Draw a wavy line, the ground. Draw several christmas trees. Simple triangles are okay, this lesson is about overlap - not all the trees next to each other. Decorate the trees with balls and garlands and draw presents under the trees. Colour with oil pastels. Use white oilpastel for snowflakes.
Paint with liquid watercolor, the ground has to stay white.
Paint a white sheet with yellow and orange liquid water colour paint. Enlarge the pattern and trace it on the black sheet using carbon paper. Put a cross in the parts that have to been cut. Cut the pattern and paste it on the coloured sheet.
Draw Halloween details with black marker. Use the white chalk pastel for details on the black paper.
Gerald would love to join in with the other animals at the Junge Dance, but everyone knows that giraffes can't dance ... or can they?
This lesson can be used by the book 'Giraffes can't dance' by Giles Andeae and Guy Parker-Rees.
Read the book of Gerald the Giraffe. After this children draw a giraffe that's trying to dance. Colour with oilpastels. Colour a background with soft pastel. Cut the giraffe and paste it on the background.
Roll a piece of bubble wrap in with yellow paint and print it. Let dry.
Make fingerprints in brown paint and let dry.
Draw lines with yellow pencil on the body of the bee.
Draw wings and legs with black fine liner.
This lesson is about the flower pots you'll see in spring and summer.
The students get a large piece of oloured construction paper for the background. Paste the window in the middle of it, with the white strips on it as a inner frame. Cut a pot from black paper. Draw and paint flowers on the white sheet. Cut them after drying with an edge of 1 cm. Paste them in front of the window. Paste the pot on the flowers. Decorate the pot with paint.
I came across this great lesson for our first graders on Deep Space Sparkle. What a fun our students had, making these cute little birds in the style of James Rizzi!
James Rizzi was born in 1950 in Brooklyn. He studied art in Florida (Gainesville), where he started experimenting with printing, painting and sculpting. Rizzi’s work often shows his birthplace New York. His paintings look sometimes childishly naive, with the bright colours and brilliant gaiety. In the art press Rizzi is often described as "Urban Primitive Artist '. Rizzi himself says he is influenced byzelf Picasso, Klee and Dubuffet.
Show some paintings of Rizzi and discuss the characteristics:
no gradations within colours
evertything is outlined with a black marker
the artwork is full and busy
background is full and busy too
white drawing sheets A4 size cut lengthwise
scissors and glue
blue cardboard A1 size for background
Discuss birds in Rizzi's artwork (google onRizzi + birds) and ask students if the typical Rizzi features are in the bird artworks too.
The goal for this lesson:
Use oilpastel to draw a bird just like Rizzi did. Use watercolour paint and paint the bird in one or two colours. Paint the background with several colours.
Make a fence on the sheet with masking tape. Draw a horizontal line above the fence. Stamp with different colours the meadow. Do not mix the paint. Stamp some spring flowers too.
Stamp the air in the same way with white and blue.
Remove the masking tape. Do this when the paint is still wet.
Cut some clouds for the body of the sheep out of a white sheet. Cut heads and feet out of black paper. Paste the sheep before the fence. Draw eyes and beak with white pencil.
The best nest for birds in winter is a colourful one! This birdhouse will protect birdies against snow and cold.
Students draw a birdhouse and colour it in with oil pastels. Perhaps there's also a peanut pendulum on the house. Draw snowflakes (white oil pastel) and also a layer of snow on the house.
Paint the background with liquid watercolor. Leave about 1 cm white on the edges for an extra winter look. Draw (or print) a bird on another piece of paper and cut it. Paste it in the house using 3D tape for a spatial effect (the pads that are used to create 3D cards).
Draw a grid from 3 by 3 cm. Trace a sourcer for a circle. Draw a tree and be sure the branches are within the cirle. Draw patterns in the the tree using a fine black marker. Colour the squares in the circle in warm colours, the squares outside the circle in cool colours. Be sure the difference between under and above the horizon line is visible.
See photos of birch trees and discuss the salient feautures : the long white stem, the gray black lines as a result of the horizontal peeling the bark, the many autumn colours of the leaves. Talk about the colours of the leaves on the floor: in front uou see a lot of different colours, and looking further away they merge into one colour.
Explain how to work with a stippling brush: no mixing colors, but put the brush in several colours at once and then stamp lightly.
Paste from above a number of strips of masking tape on the sheet in various lengths. Draw a horizon line. Stamp the bottom in several autumn colours, merging into one colour near the horizon line. Stamp the remaining leaves in the trees. There may be green there too! Leave the artwork to dry and then colour the sky with chalk pastel. Pull the masking tape off carefully . Draw with charcoal the specific birch dashes .
Paul Klee (1879 – 1940) is a German/Swiss painter. His work belongs to modern art. Klee developed mainly as an autodidact and left more than 9000 artworks. In 1912 he saw the work of Picasso and Malevich and met Robert Delaunay, who believed colour is the most important element in a painting. After a trip to Tunisia in 1914 Klee started to paint more colorful and abstract. He painted landscapes, portraits, animals, mythology, mysterious machines. In his work he combined abstract and figurative shapes. Klee 's work cannot be described in one single word. Surrealism, cubism, abstraction are terms which are applicable to his paintings. He is classified by expressionism. (Source: Wikipedia)
Show the painting 'The man with the big mouth' on the digital board. Write 'yes' on the left and 'no' on the rigth. Type the following sentences on the board:
He has a big mouth
His nose is exactly as long as his chin
He has curls
He can smell good
He is afraid
His nose looks like a knife
The eyes are blue
He doesn't seem nice
He looks pissed off
He has no ears
He has white teeth
His face is composed of puzzle pieces
The colours are bleak
I only see bright colors
Have students drag the sentences one by one to the right spot.
The students draw a face from the side. The nose has to be as long as the chin. Draw two eyes. Divide the face in surfaces. Colour each part with tempera using only mixed colours just like Paul Klee did. Only the eyes should be painted in clear blue.
Wait until the work is dry and outline all color patches with a black marker. Cut and paste the artwork on a coloured piece of wallpaper.
This project was done in grade 3/4. For higher grades: draw the face with only one line, so without lifting the pencil.
Door Zahra, groep 5
Source : Paul Klee voor kinderen, by Birgit Brandenburg
scraps of coloured paper yellow, brown, red, black
View photos of owls on the digiboard and discuss the salient features: shape, big eyes, legs, number of toes, feathers on the head (these are not the ears!).
Tear small pieces of brown paper for the branch and paste them on the black sheet. Tear yellow paper strips for the legs and paste them on the branch. Tear the head of the owl from a newspapert - if it works with the plumes coming, otherwise paste them later on. Tear strips of newspaper and wrapping paper for the body.
Paste the head and the strips of the body. Tear a circle of brown wrapping paper for the eyes. Paste in this one a maller black circle and then a yellow circle. Tear a red beak.